IT’S FINALLY DONE! 🪑✨ Meet my newly finished sofa.
I didn’t want to leave the original design — so I changed the proportions completely. Less depth, shorter length. I wanted it to feel lighter, smaller, but still nice and cozy.
The weaving of the seat took FOREVER.My eyes are tired, but I loved every second of it! Look at that texture! I love the feeling of the finest silk texture.
Now? Deep breath. And then… on to the next project. Because I already have too many ideas floating around. 😅 Tell me — would you dare to weave a whole seat by yourself? 🙌👇
I’ve finally finished this set — two armchairs and a sofa, and my heart is so full. I first created these pieces several years ago for my very first show in the US, and now I’ve brought them back to life with a slightly new design. It feels so special to revisit them.
Let me start with the armchairs. They’re just as graceful as before, with caned seats woven from the most delicate silk — and sadly, this silk is no longer in production, which makes them even more precious to me.
This time, I painted the furniture with acrylic. For the original set, I used oil. A small shift, but it changed the whole feeling of the pieces.
I’m truly so happy with how they turned out. Next time, I’ll share the sofa — can’t wait for you to see it.
It’s been two years since my last post here. This year was full of events. Events that were so unbelievable, that I couldn’t get back to my workshop again. All my thoughts, concerns shifted to a real life, my family. Through all these years I was making posts in other social media platforms, it seemed at the time that it would be always like that. I’d go to the shows in April-May, then IGMA school, maybe another show in autumn, or even exam to pass. Anyway, most of my plans don’t matter anymore.
But I still make miniatures and intend to do so in the future.
I’d love to show some of my miniature projects that were finished quite some time ago, but weren’t shown here in my blog.
Let’s start with these two Italian footstools, you can find a process of making them in one of my videos on my Youtube channel.
The first painted lacquer cabinet, that was made for PIMA awards at Kensington Dollshouse Festival, the second one was made later.
Another Italian project, and armchair, quite complex carving, lots of gold and oil painting.
One of my favorite and one of the smallest projects:
Another favorite, lots of details, that I thought I’d never be able to achieve.
Another Italian piece, this time in scagliola technique. I’m really proud that I was able to make it in miniature.
A French side table, made for IGMA school auction.
As I wrote many times I hate working with metal, but this is the only thing that interests me now. Funny enough, I love brass casting, maybe because the only thing I have to do is model making.
Anyway, one day I notice those wonderful vintage drafting tables and architect’s tables and fall in love with them. It’s a very unconventional item, not many people want them in their dollhouses, but it was a chance for me to try metal construction. It became so easy for me planning a piece for woodworking purposes that I thought metal would be something similar for me. Oh boy, I was wrong, big time.
The table I made is simple, but there are couple of things that maybe not so easy to make – gears for height adjustment, table top angle adjustment. The parts are quite big, so you cannot just solder them together (and of course I thought I could when I was making a 3d model).
After pretty successful experience with higher count petit point, I decided that I can make another screen, but this time on 90 count silk gauze. I found this screen in a book dedicated to Thomas Chippendale 300th anniversary of birth. It’s pretty tall 169.5cm high, the screen itself is pretty large too.
I should also say that the original screen is fully made of wood, in my version a pole and a finial are made of brass. The finial was traditional too, but I made a parrot 🙂
The screen is stitched on a 90 count silk gauze, with Chinese silk floss.
I don’t really understand how I missed that one on my blog, I took it to IGMA school last year and haven’t posted about it! This screen is a bit different, it has a higher count silk gauze (86) and different design, besides the frame has a different finish.
The carved elements were gilted, the rest of the table is painted with acrylic gouache. Later during Chicago show I was lucky to speak to Robert Dawson, who suggested that inner parts of the table, a vase and the flowers were made of bronze. So I decided to make a new version of this table. With the real marble table top and cast bronze parts. But it’ll be a different color. I think that both table and marble top will be beige.
I’m a fan of on of the books on European furniture, almost every piece there is on my to-do list. This table happened to be the first one I actually made.
A bit of process below, I made several carved elements, all of them gone to my “virtual” trash bin. I wanted the carving to be more expressive.
This bookcase was commissioned in the end of 2018. I found the reference drawing of it in one of Russian books on furniture history. I always wanted to make something in this style, these moldings were one of the reasons. I used to hate making them, but it was years ago. Now it seemed like a very easy operation. It’s always interesting to see how my feelings on different techniques changed over the time.
I wrote about these commodes many months ago, I was hoping to be able to update my blog very often, but some commissions happened plus I was very busy for my Chicago show, so it’s my first time when I can finally get back to my blog.
These two commodes are, of course, are done. They went to Tom Bishop Chicago International show, one of them came back to Moscow.
Блог о коллекционной кукольной миниатюре, кукольной мебели, румбоксах и кукольных домиках в масштабе 1/12. Информация о предстоящих выставках кукольной миниатюры, чертежи кукольной мебели и инструкции, советы по созданию кукольной мебели и румбоксов.