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English Chippendale Firescreen
After pretty successful experience with higher count petit point, I decided that I can make another screen, but this time on 90 count silk gauze. I found this screen in a book dedicated to Thomas Chippendale 300th anniversary of birth. It’s pretty tall 169.5cm high, the screen itself is pretty large too.
I should also say that the original screen is fully made of wood, in my version a pole and a finial are made of brass. The finial was traditional too, but I made a parrot 🙂
The screen is stitched on a 90 count silk gauze, with Chinese silk floss.
French Firescreen, the second version.
I don’t really understand how I missed that one on my blog, I took it to IGMA school last year and haven’t posted about it! This screen is a bit different, it has a higher count silk gauze (86) and different design, besides the frame has a different finish.
A bit of a process:
Brass table lamps in Victorian Style
I continue my work on brass casting techniques, I really like the process of modeling and want to improve it. I started from simple brass lamps in Victorian style.
The lamp shades are covered with silk and decorated with 16/0 beads, I couldn’t find any smaller.
The lights are not working yet, they will be LED lights, but I also bought some traditional so maybe I’ll change them.
Adams style table
I’m a fan of on of the books on European furniture, almost every piece there is on my to-do list. This table happened to be the first one I actually made.
A bit of process below, I made several carved elements, all of them gone to my “virtual” trash bin. I wanted the carving to be more expressive.
French commodes. Part 2
I wrote about these commodes many months ago, I was hoping to be able to update my blog very often, but some commissions happened plus I was very busy for my Chicago show, so it’s my first time when I can finally get back to my blog.
These two commodes are, of course, are done. They went to Tom Bishop Chicago International show, one of them came back to Moscow.
Louis XV small commode – WIP
Recently I started working on a commode I wanted to make for quite some time. I’m getting to the phase of my dream projects! First, Studley workbench, then Galle vitrine, and now this commode. I’m happy to be able to make things I wanted to make eight years ago when I started building miniature furniture. It’s a huge step for me, so I’m very excited.
I’ll be making two commodes. The first one is partially ready for assembling and making drawers.
French Firescreen
New chapter, new skill for me – miniature needlepoint.
Art Nouveau Vitrine. Part two.
I’m almost done with the vitrine. All I need now is install hinges. I tried to make them yesterday, but failed. Besides, I really needed to assemble the whole thing first. It was quite difficult, but I made it.So tomorrow I’ll start with hinges again, maybe I’ll be lucky!
By the way, the top and the bottom of the vitrine are all dry fit, I made it just for installing the hinges and after that I’ll glue everything in place.
More photos below.
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Art Nouveau Vitrine
I think this is one og the most challenging projects for me:
On the pic above the original item is on the right, on the left is a marquetry panel I was making (I had to change the layout and design of it later). The vitrine itself is pretty small (the width of the back panel is just 40mm, the thickness of the shelves is 1mm). I really like carved decoration and marquetry, of course. While I was modeling the vitrine I started reading quite an interesting article about Emile Galle, who was one of the most influlential artists in art nouveau movement. He was the one who invited Louis Majorelle to work for him (Majorelle was making brass and bronze furniture decorations, later he started making marquetry and furniture too).
I was disappointed and inspired at the same time while reading about Galle’s company. First of all, he was really good at organizing furniture and ceramics/glass manufacture process, his father was actually running pottery making business. Later Emile started producing furniture, he commissioned marquetry design and carving to the other artists, as well as metalwork. Only later he started making marquetry himself. Anyway, that was my disappointment, somehow I thought that he was producing it all by himself, but it turned out to be a dream team of artists. It’s pretty amazing, of course, but it was a surprise for me:)
Almost everything is ready for assembling the vitrine, I only need to make knife hinges for a door. For now, several photos of the process.